Tag Archives: publishing

2019: New book, old book, and a Landscape History of Brexit

Wishing you a belated Happy 2019! Here’s a quick update on my current projects – a new book, an old book, and an upcoming article about the landscape history of Brexit.

New Book

Last summer in London, I heard Rupert Sheldrake in conversation with Douglas Rushkoff at a Team Human event.  In the first few minutes, Sheldrake casually remarked, as if it were obvious, that “Our minds stretch out far beyond our brains.”

That comment made instant sense to me, because for some time I’ve been trying to reach out beyond my own brain in an effort to disentangle my academic training from my real experience of everyday life.

It’s ironic that, whilst some kinds of teaching and research enable us to think wild new thoughts, there is also an undercurrent which encourages academics to dismiss other strands that do not meet certain criteria.  Unfortunately for me, I was often guilty of wandering  those forbidden paths, which is why I frequently  found myself unable to fit in. That was often quite painful, but since leaving my job as Professor of New Media at De Montfort University in 2013, I’ve felt liberated to explore modes of thought which might not be admissable in standard academic research. I’m allowing my mind to stretch out beyond my brain and, for once, I’m not feeling guilty about it.

The result of that freedom was a very enjoyable 2018 spent writing my first novel for two decades. It’s only halfway done and it doesn’t have a name yet. but perhaps by this time next year it will be finished. Or perhaps not. I’m having a good time putting it together and don’t really want the process to end, so it could take a good deal longer than that.

What’s it about? I can’t really explain yet, but it’s fed by the work I’ve been doing for years on technology,  on nature,  and on the future of life in general. Perhaps even the future of people.  I’m putting it together rather like an oil painting, beginning with faint outlines followed by sketches, then pale washes,  then darker washes, then brushing in stronger definition in some parts, and painting out other areas to start them again. The story is expanding and contracting as I go, so much so that I can almost feel it working between my fingers as it comes to life.  I’ve written quite a few books but this process is very different. I hope it works. We shall see.

I came across the image below and somehow it felt like the novel, so I keep it beside me. I’ve no idea why it seems that way, it just does.

Vegetation in the city of Bam is green and stone-covered desert has various tones of gray. Image credit: NASA/JPL/ESA https://www.jpl.nasa.gov/images/earth/earthquake/20090304/sub2-browse.jpg

Old Book

I’m very excited that the SF Gateway is republishing my first novel, Correspondence, which was shortlisted for the Arthur C Clarke Award for Best Science Fiction Novel in 1993.  I’ve written a brief introduction to the new edition, which will come out this Spring.  I’m also working on an article about the influences behind the novel, and how it has foreshadowed much of my work to date.

The SF Gateway has republished many science fiction and fantasy titles in this ‘portal to the classics’. It’s financed by Gollancz, a publishing house that many will remember not least for its distinctive yellow book jackets. I certainly owned quite a few. I’m very proud to be included.

A Landscape History of Brexit

I’m a regular contributor to Orion, ‘America’s Finest Environmental Magazine’. This February they will publish my piece about a landmark coastal hill near my home, Hengistbury Head, and how it was an international trading post even before a tsunami came down from Norway in the Stone Age and divided what-would-be Britain from what-would-be Europe. Now we are facing another tsunami, this time entirely of our own making, but I’m still hoping that common sense will prevail and someone will put a stop to this sorry and embarrassing self-mutilation.

In the meantime, I wish you a happy 2019 as the storm gathers.

Pending Storm over Hengistbury Head - geograph.org.uk -
Pending Storm over Hengistbury Head – geograph.org.uk https://commons.wikimedia.org/wiki/File:Pending_Storm_over_Hengistbury_Head_-_geograph.org.uk_-_310093.jpg

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Featured Image: Drawing of Purkinje cells (A) and granule cells (B) from pigeon cerebellum by Santiago Ramón y Cajal, 1899; Instituto Cajal, Madrid, Spain. Public Domain, https://commons.wikimedia.org/w/index.php?curid=612581

Randy Adams (aka runran) – digital artist

Those who remember the trAce Online Writing Community (1995-2005) won’t have forgotten our fearless editor-at-large Randy Adams (aka runran). He was an indispensable part of the team, and an accomplished digital artist in his own right.

Randy died in 2014, way too soon, and is missed by many.  He was a man of contradictions – tough, spirited, and straight-talking, but endlessly kind, supportive, clever, and supremely talented. He always had time to help upcoming artists in the early years when the very notion of digital art and literature were too new to be taken seriously. We miss him a great deal.

His good friend and former colleague at trAce, the digital designer Chris Joseph, has recreated Randy’s blog  at https://remixworx.com/runran/site/ . The collection includes several of his early digital works, in addition to his writing, audio work and photographs. The bulk of Randy’s digital work is still available on the remixworx site he founded at https://remixworx.com/?cat=14 . Please visit and enjoy this fascinating collection.

Baba's Box
Baba’s Box: cloth-lined drawer from my grandmother’s travel trunk, rope, beeswax, rusted metal, burnt linen, manipulated/etched photographic print, tassles from iconostasis, cloth flowers gathered from cemeteries, cut-tin angel, star made from sardine tin, portion of a Christmas calendar, small granite rock, Christ medallion, red ribbon, spring. https://remixworx.com/runran/site/

Indian edition of ‘Technobiophilia: Nature and Cyberspace’

Bloomsbury are working on an Indian edition of ‘Technobiophilia’. No publication date as yet.

This is an exciting prospect! I’m looking forward to hearing what Indian readers think of my research and I’m sure they’ll bring some interesting new cultural perspectives to the relationship between nature and technology. I look forward to their feedback and thoughts.

Image: Stefano Ravalli ‘Cell phone envy’ Mahabalipuram. Tamil Nadu, India. https://www.flickr.com/photos/stefano60/14306580169